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Peter Hand2.mov
culptures by Peter Hand http://peter-hand-sculpture.co.uk
The Sculptures are all mixed media. Figures have all been modelled in clay or plasticene then cast into glass-reinforced resin and painted with artist's oils. The cases are of wood and glass or perspex construction. The interior furnishings etc. involve wood, plastic, plaster, leather, card, paper, textiles and of course, paint - oil, acrylics and waterproof inks.
•The Artists Studio (107 x 107 x 84 cm) 1980-1985
exhibited Royal Academy Summer 2003
The theme is glamour and how illusions of great opulence can be made against very prosaic backgrounds. In this the work-a-day environment of the painter's studio is the background in which he is creating an image of luxury. This springs from my experience of working in film studios. This also involves a simple self-reference i.e. an image of the main subject is included in the total sculpture.
•Self-Referring Sculptor's Studio (107 x 126 75 cm)
1996-
97
A companion piece to the Painters Studio. A much more complex version of the idea of self-reference, with several images of the total sculpture.
•Penny (124 x 89 x 55 cm) 1973-92 This sculpture is a recurring portrait of Penny, the begonia and the environment in which she sits.
•The Library (76 x 137 x 51 cm) 1966-85 This piece illustrates two moments in time. In the first, the figure chooses a book, in the second we see her reading.
•The Music Room (74x124x87 cm) 2002 - 2004 The use of stained glass to enliven a room with colour gave me a wonderful environment for a little fun with the musical muses.
•The Shower (101 x 55 x 77 cm) 1982 A very positive and gentle aspect of one of the female archetypes. She has emerged from water - water is frequently a symbol representing the Unconscious - . and is standing in a mandala pattern symbol of integration and wholeness.
•The Pool(29 x 52 x 24 cm) 1993 The Anima is emerging from water - the Unconscious in this palatial environment.
•The Lift (109 x 61 x 71cm) 1983 This portrays another aspect of the Archetype of the Anima. This time she is seen as Guide as she might appear in a dream.
•Circle Dance (86 x 84 x 55 cm) 1991 The nubile young women mirror recognisable elements in many a mans fantasies, while the Great Mother represents the nurturer of Life and the deliverer of Death!
•Processions (48 x 64 x 33 cm) 1993 A rather satirical look at the arcane rituals practised in many religions.
•Odalisque (73 x 81 x 73 cm) 1998-2000 From the 18th century onwards Western artists have been fascinated with the harem and its mysteries. This is a piece celebrating aspects of its sumptuousness and sensuality.
•The Dressing Table (244 x 141 x 80 cm) 1977- 97 Another affectionate revisit to 19th century themes. A pretty girl absorbed in her own reflection could well be part of much Victorian domestic genre painting.
•Lamia (40 x 48 x 41 cm) 1993 The Lamia was a highly dangerous monster, presenting itself as an attractive and desirable girl. In some traditions she is known as Melisande.
•Lilith (40 x 48 41 cm) 1993 In the Talmudic tradition Lilith was the first wife of Adam, but considered herself his equal and refused to serve him. For her feminist stance she was replaced by Eve and relegated to the role of nocturnal demon.
•The Spinner (40 x 50 x 31 cm) 1993 This refers to myths and fairy tales (Sleeping Beauty and others) in which the Old Woman spins fate, destiny or the thread of life.
•The House of Wonders (30 x 66 x 33 cm)
1983
The little hermaphrodite represents the Psyche or the Self (masculine and feminine elements fused together) and stresses the essential loneliness of the human soul.
•Hermaphrodite Transforming (77 x 61 x 66 cm)
2001 - 2004
This hermaphrodite is absorbed in his/her own image and is equipped with the tools for self transformation.
•Hermaphrodite Enthroned (109 x 86 x 110 cm) 2003 - 2004 My most recent work on the theme of the Hermaphrodite, and, perhaps my ultimate statement on this topic. In this piece I am trying to suggest the importance of the integrated personality with a regal figure within a palatial setting.
•The Veil (91 x 56 66 cm) 2003 A slightly provocative piece with the almost discreetly veiled figure surrounded by mirrors, providing a gentle challenge to the voyeur within us all.
•The Boat (66 x 145 x 53 cm) Another presentation of the archetype of the Anima - this time as the Wise Woman, here personified as a matriarchal figure. She is navigating her Boat of Light through the caverns of ancient memory on the dark waters of the Unconscious
Duration : 0:6:49
JFK ASSASSINATION HEAD WOUNDS by Ed Chiarini
This is the medical sculpture I created for the book "The Killing of a President" by Robert Groden. I also illustrated the best seller "High Treason" and Co produced the video documentary JFK The case for conspiracy.
This sculpture was created after I interviewed all the Dr., and medical personnel that had worked on the President that day. All the interviews can be scene in the Killing of a President graphic novel. I also created several illustrations for the books and videos , but Ive received several requests to view this head. If you are interested in high res photos of it for your research or publications feel free to contact me through this site and Ill be happy to arrange it.
It is a life size plaster sculpture that was created from a plastic skull model that was covered with modeling clay. I then sculpted the head without the wounds and made a negative of it with dental alginate, Next the alginate was covered with a plaster cast and cut open releasing the positive clay sculpture. Next the mold was filled with plaster to create a positive full size head. I spent the next week carving out the wound cavity and casting parts of the occipital area and frontal pieces to use to illustrate the flap of skull material we can see during the head shot.
After the piece was complete we contacted each of the people we interviewed and they confirmed this is what the head looked like when they saw him at the hospital. I spent a lot of time talking to Dr, Crenshaw and especially Dr Shaw who had lifted his head up from the back with his hands and they moved the body. He explicitly said the occipital parietal bone was almost completely missing. A hole in the back of the skull which is in total contradiction to the Ida Dox illustrations the government says are accurate, would most definitely prove a shot came from the from and struck in the temple area. therefor more than 1 gunman.
Ed Chiarini DallasGoldBug JFK ASSASSINATION Nov 23 1963 dealy plaza jackie RFK MLK High Treason Robert Groden Oliver Stone President Obama Secret Service Dallas Texas CIA did it.
Duration : 0:1:36
Ab exercise | Flat Stomach | Dr. Tim Ramirez
Dr. Tim shows you proper technique and form for abdominal exercises. A simple way to do ab's and get a six pack stomach!
Duration : 0:3:49